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Kahlil Gibran: A Universal Philosophy Timelessly Impacted

July 23, 2018 - Anna Brady

In the monochromatic artwork of Ghada Khunji, she has depicted the character of Almitra, the female protagonist in Kahlil Gibran’s seminal text The Prophet who appears alongside the male prophet Almustafa. As a seer of divine vision, Almitra is cast in Khunji’s work as a holy spirit floating inches from the ground with her arms outstretched and wearing flowing robes with a halo of flowers.

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جبران خليل جبران بطل معرض لندني في أغسطس

June 22, 2018

لندن: عبير مشخص تستضيف العاصمة البريطانية في شهر أغسطس المقبل معرضا متنقلا يدور حول الأديب اللبناني الراحل جبران خليل جبران، وذلك بمقر دار سوذبيز بلندن. وتقيم المعرض مؤسسة «كارافان» الفنية التي كونها قس أميركي مهتم بأعمال جبران.

On The Road to Change

June 3, 2018 - Irene Promodh

CARAVAN takes group exhibition I AM to Seattle as it continues to blaze the trail with its all-women show of Middle Eastern art, writes Irene Promodh.

Hanibal Srouji and the dream therapy

May 23, 2018

Although she carries scars of war, the work of Hanibal Srouji is therapeutic. It repairs the Lebanese, softens the trauma anchored in them and illustrates a part of dream that each carries in itself. In short, the art of Hanibal has a psychoanalytic dimension. Discover his dream world in the exhibition 'Let us Dream', held at the Janine Rubeiz Gallery, from May 30 to July 7. The artist tells us about it. 

Camille Zakharia’s Photographic Foray into the Voids of Bahrain

April 27, 2018 - Sawsan Khalf

It was a sultry December morning when I first came across Lebanese photographer Camille Zakharia’s mercilessly stark photographs of Bahraini compounds as part of a collection titled ‘Birds of a Feather.’ With all the photographs taken under cloudless morning skies in neighborhoods scarcely distinguishable from one another—and therefore also from Adliya, the art-and-restaurant district housing the now defunct Al Riwaq Art Space where the exhibit was being shown — the immediate effect was disorienting: what was inside the photographs closely resembled what lay outside them.

Gallery Girl meets Katia Boyadjian

April 11, 2018 - Lizzy Vartanian Collier

Normandy based artist Katia Boyadjian was born into a long line of photographers. Her father Angelo had a studio in Cairo where she was born and lived for two years before settling in Paris following the events that occurred in Suez in 1956. With experience as both a muse and an artist, her artwork fuses paint and photography and touches on her roots in the Middle East and Armenia. Gallery Girl spoke with Boyadjian to talk about her upbringing, artistic practice and influences.

Egypt’s King Farouk Patek Watch Sets Middle East Auction Record

March 26, 2018 - Claudia Carpenter

Oneness Wholeness, Tree of Life, by Iranian artist Sassan Behnam-Bakhtiar in 2017, sold for $15,000 (estimate: $12,000-$18,000). Bakhtiar, who was born in 1984, will exhibit his new series, “Oneness Wholeness,” at London’s Saatchi Gallery in May.

Layering Over the Wounds of Algeria in Contemporary Pied-Noir Art

March 1, 2018 - Amy L. Hubbell

France’s former French citizens of Algeria, the Pieds-Noirs, include one of Europe’s largest diaspora communities in the twentieth century. This diverse group of people settled in Algeria during the colonial years, and after one-hundred and thirty years of French colonial rule, Algeria fought for and won its independence in 1962. The seven-year war was traumatic for both the Algerians and the French living in the colony, and nearly one million people crossed the Mediterranean during and after the war to make a new home in France.

Patrick Altes was born in 1957 in Algeria after the war had begun. Altes’ wounds are not physical, and because of his age at the time of independence, he does not have a sense of proprietorship of this country. Instead, his experience of Algeria has been largely through the scope of independence, and he feels no right to mourn his homeland.

Emerging Egyptian artist gives Orientalism new look

February 18, 2018 - Salwa Samir

The latest exhibition of works by Hossam Dirar, one of the Middle East's most promising artists today, pays homage to 19th-century Cairo through his re-interpretation of Orientalist paintings. “Le Caire 1801,” which opened at the Soma Art Gallery in Cairo on Feb. 4, features works in which Dirar has added his own touch of striking colors, among them shades of red and blue, to the older works depicting Western artists’ images of Egypt.